The rod is placed on the holder, which has wheels and runs on a track; the holder is moved forwards, putting the glass into the kiln.
The rod is placed on the holder, which has wheels and runs on a track; the holder is moved forwards, putting the glass into the kiln.
The second worker has got another rod with some red-hot glass; they join the two rods by rolling at the same speed.
The second worker has got another rod with some red-hot glass; they join the two rods by rolling at the same speed.
Here you can see the metal foil effect, perhaps.
The second worker has got another rod with some red-hot glass; they join the two rods by rolling at the same speed.
After transferring the glass vessel from one rod to the other, it is partially reheated. At this point the base has been made, but not the top. [more...]
The glassworkers work together. One rolls the rod and holds metal pincers inside to shape out the rim of the vase; the other uses a water-soaked “wood” to force the shape. [more...]
This is (as I understand it) the hottest kiln, at about 1200 degrees Celsius.
Using a tool to shape out the inside of the glass vase by pushing out against the “wood” held by the other worker.
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